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We are always happy to assist purchasers with an up-dated valuation. The best way to achieve this is to contact us, then send a photograph of the work, framed and hanging to which we will then reply with a valuation. |
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Watercolours love light - most art works do. However, sunlight can damage watercolour - direct sunlight is the enemy. |
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Advice on framing is part of our consultancy. Although we don't frame ourselves, we do work with a number of framers and can always help with advice and often put purchasers in contact with the right framer. |
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Watercolours should be stored where they will not be subject to attack by moisture, acid, insects or direct sunlight. |
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This is a specialist area and we are not experts, although we are now working with some of the world's leading conservators and hope to be able to publish more information in the future. |
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A great deal of our Studio and Gallery work now involves creation of site-specific artworks on a commission basis. Commissions have included indiviudal paintings, groups of paintings selected for a specific location and collections made up of work painted with the hanging space in mind. Sometimes a single painting may be sufficient to bring life to a living or working environment, but at other times a group of paintings may be best arranged to link the areas within a working space so that one painting 'talks to another' across the room, creating an overall harmony. In recent years larger commissions have included: the St John Ambulance headquarters in Western Australia, Gallery Hotel in Singapore, Pier One Hotel in Sydney, the Salter Constructions offices in Melbourne, the Holman Clinic at Launceston General Hospital and various others, including medial clinics and many private homes. |
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